Following up on their fantastic 7-track 12” from last year, Singapore's SIAL is back with Binasa, a new 6-track 7" with a Malay title that translates to 'Perish'. Binasa sees the band pushing their cacophony of urgent and raw hardcore punk to the red. It takes cues from the likes of COMES, CONFUSE or LEBENDEN TOTEN but makes sure their ferocious sound and message doesn’t get lost in the noise. Their new release is a feast of ripping buzzsaw guitar, ferocious drumming and a vocalist spitting hate towards a racist, classist society that doesn't protect the interests of the marginalised.
Recording this time around was done in their own collective studio space, Project 416 with Mastering done by Will Killingsworth and cover artwork by their drummer Izzad.
I was living in Atlanta in 2017 when I discovered this band. I thought I was the only trans chick who was into hardcore (not literally but you know what I mean) and then I heard that they broke up and now I'm sad. piggypop
Saw Haram at Oklahoma's Everything Is Not OK III festival, and have never seen a show get more fucking insane. Haram were killing it, people were literally flying all over the place, including the vocalist. But it's more than that. Haram stands out as one of the most culturally relevant and important bands in the states, challenging issues of cultural and social oppression for all marginalized peoples. Vocalist Nader also sings in Arabic and stands full force against the racism and religious phobia faced by middle eastern americans, issues that have relentlessly plagued our country and people, even before 9/11. I highly recommend reading his interviews, I challenge all to join and support them in this effort. I hope I've done an at least passable job representing them here. I also consider myself lucky to have seen them. Ariele Betterton