SNOB has snarled around the local London scene since 2014, leaving a trail of two self-released 7 inches and adulation in their wake. It’s now the year 2018, and SNOB finally bring us their fully fledged follow up of tense hardcore punk that’s characterised by frantic snotty dictation, agitated guitar lines and pummelling rhythms. The ten songs on the self-titled 12” are filled with disparities – sneering hi-energy, sentient meat and potato, adroit silliness, agitated apathy – creating a bleak and angry sonic force. The whip-smart whip-short lyrics are almost a poetry-to-arms that rails against all of the absurdities of modern living. To these ears, SNOB is like if you left YouTube tabs of ICONS OF FILTH, PENI, NOG WATT and JETSET/ BLOEBAD all playing at once, and it somehow sounded wonderful.
The LP comes in a heavy board sleeve designed by the exiled Ben Fordree while on the run in Australia and includes a lyric sheet to help you sing along to modern classics like Doctor Dildo, Lycra Daddy or Punisher.
Includes unlimited streaming of Snob LP
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Opener absolutely rips. Falls into the ranks of tracks like “Dance” by ESG, “Eisbaer” by Grauzone, “Damaged Goods” by Gang of Four or like the album description says Kleenex. This is some really good stuff. Favorite song is the opener but dedicate “Blue” to my friend Blue who lost her life at 22, she would have loved this album. TheBloodofChrist
Knockout debut from a Buffalo, New York-based hardcore band who like their riffs sick, their drums fast, and their choruses sticky-sweet. Bandcamp New & Notable Mar 28, 2024
The Minneapolis band add a horn section, a running surrealist allegory about walls, and an occasional nod to the elegiac to their electroshocked post-punk. Bandcamp Album of the Day Mar 4, 2024